Piaget’s Ramadan 2026 Capsule

Gold, Stone, and the Jewellery Watch

Piaget approaches Ramadan through the categories it defined decades ago: the jewellery watch and hardstone jewellery. The maison’s 2026 capsule builds on those foundations, introducing a focused edit of watches and jewels calibrated for evening wear across the Gulf.

The Limelight Gala watch anchors the release. Its asymmetrical case, first introduced in 1973, remains one of Piaget’s defining silhouettes. For Ramadan 2026, the watch appears in warm-toned gold with diamond-set bezels and stone dials, including malachite and carnelian. These materials shift the watch from timekeeping instrument into jewellery object, aligning it with the way watches are worn in the region.

Stone selection shapes the collection’s visual structure. Malachite introduces saturated green fields defined by natural banding. Carnelian provides a dense, opaque red with internal depth. Turquoise appears in limited executions, maintaining Piaget’s long-standing relationship with ornamental stonework. Each dial is cut individually, ensuring continuity of pattern across the surface.

The Possession collection extends the capsule into modular jewellery. Rings and bracelets incorporate the rotating central band that defines the line. Executed in rose and yellow gold, with diamond-set variations, the pieces operate as daily jewellery while retaining sufficient presence for evening wear. The mechanical rotation remains intact, reinforcing Piaget’s emphasis on interaction between wearer and object.

Necklaces and earrings follow the same structural logic. Gold forms the base. Diamonds and hardstone inserts provide contrast. Proportion remains controlled. The collection avoids oversized construction in favour of pieces that integrate easily into layered jewellery wardrobes.

Piaget’s relationship with ornamental stone dates to the 1960s, when the maison began incorporating lapis lazuli, jade, and turquoise into watch dials. That archive informs the Ramadan 2026 release. Hardstone continues to serve as both aesthetic element and structural identity.

The maison’s Ramadan capsules have developed into a consistent annual release. Rather than producing entirely separate design languages for the season, Piaget adjusts existing families through material and colour. This continuity reinforces recognisability.

Watches remain central. In the Gulf, jewellery watches operate differently than in Western markets. They function as evening jewellery first, timekeeping second. Piaget’s Ramadan releases respond directly to that hierarchy.

The 2026 capsule does not introduce new silhouettes. It refines existing ones through stone, gold, and diamond execution.

The result aligns with the maison’s long-standing position: jewellery and watchmaking operating within the same object.